We have a third script written, by Michael Green, that is a pretty daring shift in genre and in tone. The filmmaker - who also edited and did the camerawork - drops in on board meetings, intellectual public speaking engagements, inspiring musical performances, and classroom sessions, illustrating the extent to which the library system provides foundational elements that keep society’s brains in check."We have the Poirot franchise, we have other Christie stories," Asbell said. His nearly three-and-a-half hour feat is an epic rumination on educational enlightenment. It’s easy to imagine a 90-minute salute to the NYPL filled with worshipful talking heads and gentle music cues, but Wiseman has no interest in that. “Ex Libris - The New York Public Library”Īt 87, Frederick Wiseman continues to deliver some of the most ambitious looks at American society today. It reaches for extremes rarely seen in American movies produced on this scale, and it’s easy to see why - Aronofsky never takes the easy route, and we’re all the better for it. Love it or hate it, “ mother!” has an undeniable singularity of vision that signals the end of days with a naughty sense of play.
B MOVIES FROM 2017 MOVIE
Both formally ambitious and emotionally accessible, the movie transforms its main stunt into a savvy dose of minimalism with existential possibilities that cut deep. From the horrors of gentrification and urban development to the pithy obsessions that distract from deeper truths, “A Ghost Story” offers bountiful themes. Lowery has quickly developed a filmography that mines for awe in solitude, and here delivers a cosmic variation on that theme, exploring the ineffable relationship between people and the meaning they give to the places that have value in their lives. Yet writer-director David Lowery channels the absurdity of this setup into an extraordinary mood piece that amounts to his best movie yet. The main special effect in “ A Ghost Story” is older than the movies: After a young Dallas musician (Casey Affleck) dies in a car crash, he returns as a ghost to the home he shared with his wife (Rooney Mara), and he’s draped in a sheet with hastily cutout eyeholes, like some misbegotten Halloween costume.
This is a measured, richly ambiguous work about the subjective process of grief - masquerading as a ghost story - that experiments with the minutiae of film language as only a master of the medium can do.
B MOVIES FROM 2017 SERIES
As Maureen, a young American living in Paris and coping with the recent death of her twin brother, the actress carries every scene through a series of peculiar circumstances that may or may not involve supernatural phenomena. In Olivier Assayas’ “Clouds of Sils Maria,” Kristen Stewart was a supporting character in their latest collaboration, she’s the center of the show. It’s a delicate reminder that even the simple pleasures of life stem from philosophical convictions. The result is at once hypnotic and charming, a movie with the capacity to elicit both the OMG-level effusiveness of internet memes and existential insights.
“Kedi” isolates the profound relationship between man and cat by exploring it across several adorable cases in a city dense with examples. Cat lovers may be content with a mashup of feline faces bounding around the city, but hell, YouTube’s got that covered.
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